Padiglione della Repubblica di Haiti. 61. Esposizione Internazionale d’Arte – La Biennale di Venezia

Sono onorato di essere il curatore del Padiglione della Repubblica di Haiti alla 61. Esposizione Internazionale d’Arte – La Biennale di Venezia. Il prestigioso incarico è stato ufficializzato questa mattina durante la conferenza stampa a Venezia e mi è stato conferito dal Ministro della Cultura e della Comunicazione della Repubblica di Haiti, Patrick Delatour, e da S.E. l’Ambasciatore di Haiti a Roma, Gandy Thomas. A loro va il mio più sincero ringraziamento per la fiducia accordatami. In questa occasione avrò il privilegio di presentare l’installazione “Yelena’s Garden” di Enock Placide, artista haitiano residente a New York. Vi terrò aggiornati sui prossimi sviluppi. Nel frattempo, vi aspetto a Venezia dal 9 maggio!

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I am honored to serve as curator of the Pavilion of the Republic of Haiti at the 61st International Art Exhibition – La Biennale di Venezia. This prestigious appointment was officially announced this morning during the press conference in Venice and was entrusted to me by the Minister of Culture and Communication of the Republic of Haiti, Patrick Delatour, and by H.E. the Ambassador of Haiti to Rome, Gandy Thomas. I would like to express my sincere gratitude to them for their trust. On this occasion, I will have the privilege of presenting the installation “Yelena’s Garden” by Enock Placide, a Haitian artist based in New York. I will keep you updated on the upcoming developments. In the meantime, I look forward to seeing you in Venice from May 9!

Theory of Colours: How to Interpret an Earthquake Visually

My research Theory of Colours: How to Interpret an Earthquake Visually has just been published in the Proceedings of The 13th European Conference on Arts & Humanities (ECAH2025), held from 10 to 14 July 2025 at University College London (UCL).

https://doi.org/10.22492/issn.2188-1111.2025.4

A Visual Theory of Earthquakes: From Research to Presentation at University College London

From July 10 to 14, I will be at University College London for the 13th Scientific Conference on Arts and Humanities. On this occasion, I will present a visual theory that explores how colour can be used to interpret and communicate the dynamics of earthquakes. The conference offers a unique opportunity to engage in meaningful dialogue with researchers and scientists from around the world, exploring the intersection between art, science, and the languages we use to describe the forces of nature.
Read my abstract here!

Living Data: Posthuman Aesthetics at DCAC 2025

From May 9 to 10, I will participate in the 7th International Conference Digital Culture & AudioVisual Challenges at the Ionian University of Corfu. I will present the project Living Data. Digital art between perception and biological hybridization. Through the analysis of digital and interactive artworks, this research explores new forms of posthuman aesthetics, where “vision” becomes a dynamic, relational experience mediated by data. Info ➡️ https://avarts.ionio.gr/dcac/2025/en/speakers/2851/