È stato appena pubblicato l’eBook Dialogues across the seas: the ocean that keeps us apart also joins us. Charting knowledge and practice in the Anthropocene – a cura di Pier Luigi Capucci – dove troverete il mio contributo Art as a tool against climate change.
Il mio articolo per Il Sole 24 Ore pubblicato domenica 30 maggio 2021
Il mio articolo “Transgenic art: Creativity in the era of genetic engineering” è ora disponibile sulla rivista scientifica “Technoetic Arts” (15.2) diretta da Roy Ascott.
My article “Transgenic art: Creativity in the era of genetic engineering” is now available in the scientific journal “Technoetic Arts” (15.2) edited by Roy Ascott.
Ecco la recensione di Giorgio Cipolletta su art*science 2017 per “Noema”
Bologna. art*science 2017/Leonardo 50.
Many thanks to Pier Luigi Capucci for the pictures.
Il 4 luglio, in occasione della conferenza scientifica art*science 2017/Leonardo 50 – Il Nuovo e la Storia / The New and History (Bologna, 3 – 5 luglio 2017), presenterò una ricerca dal titolo “Transgenic Art. The new nature as aestheticization of life”. Ecco il programma
On July 4, I will present a research entitled “Transgenic Art. The new nature as aestheticization of life”. The appointment is part of the scientific conference art*science 2017/Leonardo 50 – Il Nuovo e la Storia / The New and History. The event will take place in Bologna from 3 to 5 July 2017. Here is the program
Nòva – Il Sole 24 Ore
Il corpo nell’era digitale e biotecnologica
“Body Esc” propone un percorso critico sulla percezione clinica postumana di pazienti che diventano obiettivo di manipolazione come ogni altra risorsa naturale.
Transgenic Art. Creativity in the Era of Genetic Engineering
The spread of biotechnology and genetic engineering has developed a new creative thinking in the context of contemporary visual culture where art, science and life evolve into a network of interdependence. Starting from that, the paper analyses the works of important artists who, from the late nineties of the twentieth century, have modeled genetic material to create artistic works. These transgenic representations become a metaphor for cultural hybridisation. They are places of transaction that contradict their documentary size, losing the concept of memory, narration and storage. Artistic objects are replaced by the evanescence of aesthetics, reconsidering the relationship between image and information. This study goes beyond the boundaries of art, trying to understand the reasons of the crisis of its representation. Focusing attention on transgenic art means to say that the artist as a scientist, not only is able to change life, but to reinvent it completely. Attention is also given to mixtures of the various ontological categories where bodies are connected to machines in an intimate or hidden way, questioning the idea of nature and the concept of life. This proposal will try to answer the following questions: how has molecular biology influenced the development of contemporary art? Who is the artist today and what are the new areas of inquiry?
Il 27 maggio presenterò alla Ionian University di Corfù (Grecia) una ricerca dal titolo “Transgenic Art. Creativity in the Era of Genetic Engineering”. L’appuntamento è parte della conferenza scientifica “Taboo-Transgression-Transcendence in Art and Science” che si svolgerà dal 26 al 28 maggio 2017. Ecco il programma.
On May 27, I will present a research entitled “Transgenic Art. Creativity in the Era of Genetic Engineering” at Ionian University of Corfu (Greece). The appointment is part of the scientific conference “Taboo-Transgression-Transcendence in Art and Science”, which will take place from 26 to 28 May 2017. Here is the program.